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This conference aims to bring together the major timbre and orchestration researchers in the world to take stock of where the study and deployment of timbre in music is currently heading and how to engage scholars and practitioners in considering its structural, expressive and affective roles in the fields of:
- Composition ("classical", pop, film, television, video games)
- Music analysis
- Music theory
- Musicology
- Ethnomusicology
- Popular music studies
- Music psychology
- Musical acoustics
- Room acoustics
- Computer-aided orchestration
- Computer science
- Digital humanities
- Sound recording
- Auditory cognitive neuroscience
Registration is open.
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