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Ira Coleman

Academic title(s): 

Associate Professor, Area Coordinator (Jazz)

Ira Coleman
Department: 
Music Performance
Area(s): 
Jazz
Contact Information
Address: 

Strathcona Music Building

Email address: 
ira.coleman [at] mcgill.ca
Instrument(s): 
Bass (Jazz)
Group: 
Area Coordinator
Faculty
Office: 
C-423
Biography: 

Ira Coleman听was born in Stockholm, Sweden. Raised in Southern France, Ira thereafter lived in Germany for fourteen years. While in Germany, Ira Coleman studied double bass at Cologne鈥檚 Hochschule听蹿眉谤Musik听and听subsequently听came a move to the听US听to attend Berklee College of Music in Boston.

鈥淚 have very strong ties to Europe,鈥 says Ira who is fluent in French and German. 鈥淢y mother was Swedish and a famous silversmith and designer, and my father was a painter and graphic artist from Baltimore. The place to go was Paris. My parents met many expatriate artists, writers and musicians.鈥 Among visitors to Ira鈥檚 childhood home were Louis Armstrong, Billie Holiday, Ray Charles, Charlie听Mingus听and Chester Himes. Ira got his inspiration at an early age, though he听didn鈥檛听actually pick听up a bass until he was 19 years old.

鈥淭he bass fits my character,鈥 says Ira, who graduated from Berklee College of Music in 1985. 鈥淚n most musical genres the bass is the pivotal center piece, the instrument which provides a discrete and clear foundation, and I enjoy the many challenges its function poses.鈥

Ira鈥檚 resum茅 tells the story. Currently听residing听in Rhinebeck, NY, over the years he has worked with such well-known figures as Cab Calloway, Freddie Hubbard, Betty Carter, Milt Jackson, Branford Marsalis, Herbie Hancock, Wayne Shorter, Jessye Norman, Grover Washington Jr., Barbara Hendricks, Sting, Kathleen Battle, The Carnegie Hall Jazz Ensemble, and The Duke Ellington Orchestra under the direction of Mercer Ellington, among many others. He was musical director for vocalist Dee听Dee听Bridgewater and toured with her internationally from 2002 until 2009.

One night听he鈥檚听on the stage at Carnegie Hall playing in a tribute to African-American culture. The next听morning听he is on a plane to Europe to collaborate on a recording or heading to Japan for a jazz festival. As comfortable playing Jamaican rhythms as he is听accompanying听a gospel choir or performing in a听Jazz听trio, this professional bass player has built an international reputation for versatility.

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