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Academic Partners
(France)
(USA)
(Switzerland)
(USA)
(Germany)
(France)
Schulich School of Music, À¦°óSMÉçÇø (Canada)
(Canada)
(France)
(Canada)
(Canada)
(USA)
(Canada)
Private-Sector Partners
(Canada)
/ (Canada)
(Canada)
(Canada)
(Canada)
(France)
(France)
(Canada)
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Collaborators
- Current Collaborators
Guillaume Bourgogne, Conducting, Schulich School of Music, À¦°óSMÉçÇø
Baptiste Caramiaux, Institut des Systèmes Intelligents et de Robotique (ISIR), Sorbonne Université
Victor Cordero,ÌýHaute école de musique de Genève, Switzerland
Martha de Francisco, Sound Recording, Schulich School of Music, À¦°óSMÉçÇø
Philippe Depalle, Music Technology, Schulich School of Music, À¦°óSMÉçÇø
Philippe Esling,ÌýReprésentations Musicales, IRCAM-Centre Pompidou, Paris
Robert Hasegawa, Music Theory, Schulich School of Music, À¦°óSMÉçÇø
Nathalie Hérold, GREAM, Université de Strasbourg
Jason Noble, Faculté de musique, Université de Montréal
Etienne Thoret,ÌýUniversité Aix-Marseille, CNRS, PRISM, LIS & Institute of Language Communication and the Brain (ILCB), Marseille, France
Caroline Traube, LIAM, Faculté de musique, Université de Montréal
Zachary Wallmark, School of Music and Dance, University of Oregon
Jina Wang, Communications University of China
- Previous Collaborators
Carlos Agon, Représentations Musicales, IRCAM-Centre Pompidou, Paris, France
Federico Avanzini, Department of Information Engineering, University of Padova, Italy
Mondher Ayari, Représentations Musicales, IRCAM-Centre Pompidou, Paris, France
Denys Bouliane, Composition, Schulich School of Music, À¦°óSMÉçÇø
Jonas Braasch, School of Architecture, Rensselaer Polytechnic Institute, Troy, NY, USA
Anne Caclin, INSERM, Lyon, France
William Caplin, Music Theory, Schulich School of Music, À¦°óSMÉçÇø
Antoine Chaigne, Unité de Mécanique, ENSTA, Palaiseau, France
Jeremy Cooperstock, Shared Reality Lab, Electrical and Computer Engineering, À¦°óSMÉçÇø
†Eric Daubresse, Haute école de musique de Genève, Switzerland
Hauke Egermann,ÌýAudio Communication Group, Berlin Institute of Technology, Berlin, Germany
Marie-Hélène Giard, INSERM, Lyon, France
Bruno Gingras, Department of Cognitive Biology,ÌýUniversity of Vienna, Austria
Bruno L. Giordano,ÌýMarie Curie FellowÌýat the University of Glasgow
Catherine Guastavino, The Multimodal Interaction Laboratory (MIL), School of Information Studies, À¦°óSMÉçÇø
Olivier Houix, Perception et Design Sonore, IRCAM-Centre Pompidou, Paris, France
Richard Kronland-Martinet, Laboratoire de Mécanique et d'Acoustique, Marseille, France
Daniel Levitin, Psychology Department, À¦°óSMÉçÇø
Nicolas Misdariis, Perception et Design Sonore, IRCAM-Centre Pompidou, Paris, France
Luis Naón, Haute école de musique de Genève, Switzerland
Christoph Neidhöfer, Music Theory, Schulich School of Music, À¦°óSMÉçÇø
Marcus Pearce, School of Electronic Engineering and Computer Science, Queen Mary, University of London, UK
Geoffroy Peeters, Analyse-Synthèse, IRCAM-Centre Pompidou, Paris, France
Jean-François Petiot, Ecole Centrale de Nantes, France
John Rea, Composition, Schulich School of Music, À¦°óSMÉçÇø
Davide Rocchesso, The Faculty of Arts and Design, The University Iuav of Venice, Italy
Vincent Roussarie, PSA Peugeot-Citroën, Vélizy-Villacoublay, France
René Rusch, Music Theory, Schulich School of Music, À¦°óSMÉçÇø (now at University of Michigan)
Gary Scavone, Music Technology, Schulich School of Music, À¦°óSMÉçÇø
Peter Schubert, Music Theory, Schulich School of Music, À¦°óSMÉçÇø
Patrick Susini, Perception et Design Sonore, IRCAM-Centre Pompidou, Paris, France
Jonathan Wild, Music Theory, Schulich School of Music, À¦°óSMÉçÇø
Geraint Wiggins, School of Electronic Engineering and Computer Science, Queen Mary, University of London, UK
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