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Collaborations

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Academic Partners

(France)
(USA)
(Switzerland)
(USA)
(Germany)
(France)
Schulich School of Music, À¦°óSMÉçÇø (Canada)
(Canada)
(France)
(Canada)
(Canada)
(USA)
(Canada)

Private-Sector Partners

(Canada)
/ (Canada)
(Canada)
(Canada)
(Canada)
(France)
(France)
(Canada)

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Collaborators

  • Current Collaborators

Guillaume Bourgogne, Conducting, Schulich School of Music, À¦°óSMÉçÇø

Baptiste Caramiaux, Institut des Systèmes Intelligents et de Robotique (ISIR), Sorbonne Université

Victor Cordero,ÌýHaute école de musique de Genève, Switzerland

Martha de Francisco, Sound Recording, Schulich School of Music, À¦°óSMÉçÇø

Philippe Depalle, Music Technology, Schulich School of Music, À¦°óSMÉçÇø

Philippe Esling,ÌýReprésentations Musicales, IRCAM-Centre Pompidou, Paris

Robert Hasegawa, Music Theory, Schulich School of Music, À¦°óSMÉçÇø

Nathalie Hérold, GREAM, Université de Strasbourg

Jason Noble, Faculté de musique, Université de Montréal

Etienne Thoret,ÌýUniversité Aix-Marseille, CNRS, PRISM, LIS & Institute of Language Communication and the Brain (ILCB), Marseille, France

Caroline Traube, LIAM, Faculté de musique, Université de Montréal

Zachary Wallmark, School of Music and Dance, University of Oregon

Jina Wang, Communications University of China

  • Previous Collaborators

Carlos Agon, Représentations Musicales, IRCAM-Centre Pompidou, Paris, France

Federico Avanzini, Department of Information Engineering, University of Padova, Italy

Mondher Ayari, Représentations Musicales, IRCAM-Centre Pompidou, Paris, France

Denys Bouliane, Composition, Schulich School of Music, À¦°óSMÉçÇø

Jonas Braasch, School of Architecture, Rensselaer Polytechnic Institute, Troy, NY, USA

Anne Caclin, INSERM, Lyon, France

William Caplin, Music Theory, Schulich School of Music, À¦°óSMÉçÇø

Antoine Chaigne, Unité de Mécanique, ENSTA, Palaiseau, France

Jeremy Cooperstock, Shared Reality Lab, Electrical and Computer Engineering, À¦°óSMÉçÇø

†Eric Daubresse, Haute école de musique de Genève, Switzerland

Hauke Egermann,ÌýAudio Communication Group, Berlin Institute of Technology, Berlin, Germany

Marie-Hélène Giard, INSERM, Lyon, France

Bruno Gingras, Department of Cognitive Biology,ÌýUniversity of Vienna, Austria

Bruno L. Giordano,ÌýMarie Curie FellowÌýat the University of Glasgow

Catherine Guastavino, The Multimodal Interaction Laboratory (MIL), School of Information Studies, À¦°óSMÉçÇø

Olivier Houix, Perception et Design Sonore, IRCAM-Centre Pompidou, Paris, France

Richard Kronland-Martinet, Laboratoire de Mécanique et d'Acoustique, Marseille, France

Daniel Levitin, Psychology Department, À¦°óSMÉçÇø

Nicolas Misdariis, Perception et Design Sonore, IRCAM-Centre Pompidou, Paris, France

Luis Naón, Haute école de musique de Genève, Switzerland

Christoph Neidhöfer, Music Theory, Schulich School of Music, À¦°óSMÉçÇø

Marcus Pearce, School of Electronic Engineering and Computer Science, Queen Mary, University of London, UK

Geoffroy Peeters, Analyse-Synthèse, IRCAM-Centre Pompidou, Paris, France

Jean-François Petiot, Ecole Centrale de Nantes, France

John Rea, Composition, Schulich School of Music, À¦°óSMÉçÇø

Davide Rocchesso, The Faculty of Arts and Design, The University Iuav of Venice, Italy

Vincent Roussarie, PSA Peugeot-Citroën, Vélizy-Villacoublay, France

René Rusch, Music Theory, Schulich School of Music, À¦°óSMÉçÇø (now at University of Michigan)

Gary Scavone, Music Technology, Schulich School of Music, À¦°óSMÉçÇø

Peter Schubert, Music Theory, Schulich School of Music, À¦°óSMÉçÇø

Patrick Susini, Perception et Design Sonore, IRCAM-Centre Pompidou, Paris, France

Jonathan Wild, Music Theory, Schulich School of Music, À¦°óSMÉçÇø

Geraint Wiggins, School of Electronic Engineering and Computer Science, Queen Mary, University of London, UK

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