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Master of Music (M.Mus.) Performance: Early Music (Thesis) (45 credits)

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Offered by: Music     Degree: Master of Music

Program Requirements

Voice, Baroque Flute, Recorder, Baroque Oboe, Baroque Bassoon, Baroque Violin, Baroque Viola, Baroque Cello, Early Music Clarinet, Viola da Gamba, Organ, Harpsichord, Lute, Early Brass, Fortepiano

Applicants to the Performance program are expected to have a background in Music Theory equivalent to the B.Mus. in Performance. Applicants found to be deficient in their background preparation may be required to take certain additional music theory undergraduate courses.

The following program prerequisites may be assigned as additional required courses on the basis of transcript review:

  • MUPD 560 Introduction to Research Methods in Music (1 credit)

    Offered by: Music Research (Schulich School of Music)

    Overview

    Music Professional Development : Introduction to music research, including print and online tools for finding printed and recorded music and research on music; appropriate citation of sources; writing grant proposals, program/liner notes, and reviews.

    Terms: Fall 2016

    Instructors: Campbell, Evan; Morrison, Robert (Fall)

    • Prerequisites: MUHL 286 and one 300-level MUHL or MUPP course

    • Restriction: Not open to students who have taken MUHL 570

3 credits from the following:

  • MUHL 377 Baroque Opera (3 credits)

    Offered by: Music Research (Schulich School of Music)

    Overview

    Music History and Literature : History of opera from its origins in the musical, literary, and philosophical models available to the Florentine Camerata to the end of the baroque. The development of opera will be studied from the perspective of artistic style and in the light of historical, political, social, and economic conditions.

    Terms: Winter 2017

    Instructors: Cochran, Zoey (Winter)

  • MUHL 380 Medieval Music (3 credits)

    Offered by: Music Research (Schulich School of Music)

    Overview

    Music History and Literature : The medieval style - an intensive study of one or more selected topics from the repertoire. Possible subjects include liturgical chant, Notre Dame, the medieval motet, secular developments, and instrumental literature.

    Terms: This course is not scheduled for the 2016-2017 academic year.

    Instructors: There are no professors associated with this course for the 2016-2017 academic year.

  • MUHL 381 Renaissance Music (3 credits)

    Offered by: Music Research (Schulich School of Music)

    Overview

    Music History and Literature : Sacred and secular musical genres of the 15th and 16th Centuries. Various phases of imitative practice, cantus firmus and parody techniques. The emergence of homophonic textures in peripheral areas of the repertoire. Selected problems in the fields of theory, bibliography and aesthetics.

    Terms: This course is not scheduled for the 2016-2017 academic year.

    Instructors: There are no professors associated with this course for the 2016-2017 academic year.

  • MUHL 382 Baroque Music (3 credits)

    Offered by: Music Research (Schulich School of Music)

    Overview

    Music History and Literature : A detailed examination of several selected areas of Baroque music. Topics will be drawn from different geographical regions (e.g., Italy, France, Germany, etc.) and encompass church, chamber and theatre music, as well as performance practice. Each topic will be related to general musical developments of the period.

    Terms: This course is not scheduled for the 2016-2017 academic year.

    Instructors: There are no professors associated with this course for the 2016-2017 academic year.

  • MUHL 383 Classical Music (3 credits)

    Offered by: Music Research (Schulich School of Music)

    Overview

    Music History and Literature : The period covered will be from approximately 1740-1828, from the schools of the Italian keyboard composers, opera buffa and seria, and composers centred at Mannheim, Paris, London, Berlin and Vienna, through the Viennese Classic period of Haydn, Mozart and Beethoven, to the death of Schubert.

    Terms: This course is not scheduled for the 2016-2017 academic year.

    Instructors: There are no professors associated with this course for the 2016-2017 academic year.

  • MUHL 395 Keyboard Literature before 1750 (3 credits)

    Offered by: Music Research (Schulich School of Music)

    Overview

    Music History and Literature : The solo repertoire for organ, harpsichord, and clavichord from 1400 to 1750: intabulation, cantus firmus treatment, indigenous keyboard genres, German organ literature, French harpsichord repertoire.

    Terms: This course is not scheduled for the 2016-2017 academic year.

    Instructors: There are no professors associated with this course for the 2016-2017 academic year.

  • MUPP 381 Topics in Performance Practice (3 credits)

    Offered by: Music Research (Schulich School of Music)

    Overview

    Performance Practice : Issues in performance traditions. Topics focus on rhythmic interpretation, vocal and instrumental style, ornamentation, improvisation, performance venues and context. Sources include original notation and modern editions, treatises, iconography, organology, analysis, criticism, and recordings.

    Terms: This course is not scheduled for the 2016-2017 academic year.

    Instructors: There are no professors associated with this course for the 2016-2017 academic year.

    • 3 hours

    • Restriction: Not open to students who have taken MUPP 385

  • MUTH 426 Topics in Early Music Analysis (3 credits)

    Offered by: Music Research (Schulich School of Music)

    Overview

    Music Theory and Analysis : Music from before 1700 is analyzed using recently developed techniques as well as materials gathered from treatises contemporaneous with the music. The implications of analysis for performance are considered.

    Terms: This course is not scheduled for the 2016-2017 academic year.

    Instructors: There are no professors associated with this course for the 2016-2017 academic year.

Fortepiano students:

  • MUHL 366 The Era of the Fortepiano (3 credits)

    Offered by: Music Research (Schulich School of Music)

    Overview

    Music History and Literature : Survey of the repertoire for keyboard 1750-1850: the instruments, Empfindsamkeit, gallant style, London, Paris, Vienna, the Czech school, Haydn, Mozart, Beethoven, sonatas, variations, character pieces, "high" and "low" salon music, virtuosos and the virtuoso repertoire, Schubert, Chopin, Schumann, Mendelssohn, early Liszt.

    Terms: This course is not scheduled for the 2016-2017 academic year.

    Instructors: There are no professors associated with this course for the 2016-2017 academic year.

Harpsichord students:

  • MUPG 272D1 Continuo (2 credits)

    Offered by: Performance (Schulich School of Music)

    Overview

    Performance : An historically-oriented study of the principles of figured-bass. The student will realize at sight elementary bass patterns. Standard idioms from historical treatises will be introduced.

    Terms: Fall 2016

    Instructors: Knox, Hank (Fall)

    • 2 hours

    • Prerequisites: MUTH 150 and permission of instructor.

    • Students must register for both MUPG 272D1 and MUPG 272D2.

    • No credit will be given for this course unless both MUPG 272D1 and MUPG 272D2 are successfully completed in consecutive terms

    • Enrolment limited to 6.

  • MUPG 272D2 Continuo (2 credits)

    Offered by: Performance (Schulich School of Music)

    Overview

    Performance : See MUPG 272D1 for course description.

    Terms: Winter 2017

    Instructors: Knox, Hank (Winter)

    • Prerequisite: MUPG 272D1

    • No credit will be given for this course unless both MUPG 272D1 and MUPG 272D2 are successfully completed in consecutive terms

    • 2 hours

    • Enrolment limited to 6.

  • MUPG 372D1 Continuo (1 credit)

    Offered by: Performance (Schulich School of Music)

    Overview

    Performance : A study of 17th and 18th Century styles of figured-bass accompaniment as revealed in contemporary sources. The emphasis will be on the realization at the keyboard of representative works using original sources.

    Terms: This course is not scheduled for the 2016-2017 academic year.

    Instructors: There are no professors associated with this course for the 2016-2017 academic year.

    • 1 hour

    • Prerequisites: MUPG 272 AND permission of instructor. Enrolment limited to 4

    • Students must register for both MUPG 372D1 and MUPG 372D2.

    • No credit will be given for this course unless both MUPG 372D1 and MUPG 372D2 are successfully completed in consecutive terms

  • MUPG 372D2 Continuo (1 credit)

    Offered by: Performance (Schulich School of Music)

    Overview

    Performance : See MUPG 372D1 for course description.

    Terms: This course is not scheduled for the 2016-2017 academic year.

    Instructors: There are no professors associated with this course for the 2016-2017 academic year.

    • Prerequisite: MUPG 372D1

    • No credit will be given for this course unless both MUPG 372D1 and MUPG 372D2 are successfully completed in consecutive terms

Organ/Lute students:

  • MUPG 272D1 Continuo (2 credits)

    Offered by: Performance (Schulich School of Music)

    Overview

    Performance : An historically-oriented study of the principles of figured-bass. The student will realize at sight elementary bass patterns. Standard idioms from historical treatises will be introduced.

    Terms: Fall 2016

    Instructors: Knox, Hank (Fall)

    • 2 hours

    • Prerequisites: MUTH 150 and permission of instructor.

    • Students must register for both MUPG 272D1 and MUPG 272D2.

    • No credit will be given for this course unless both MUPG 272D1 and MUPG 272D2 are successfully completed in consecutive terms

    • Enrolment limited to 6.

  • MUPG 272D2 Continuo (2 credits)

    Offered by: Performance (Schulich School of Music)

    Overview

    Performance : See MUPG 272D1 for course description.

    Terms: Winter 2017

    Instructors: Knox, Hank (Winter)

    • Prerequisite: MUPG 272D1

    • No credit will be given for this course unless both MUPG 272D1 and MUPG 272D2 are successfully completed in consecutive terms

    • 2 hours

    • Enrolment limited to 6.

Voice students:

Thesis Performance (27 credits)

18 credits:

  • MUIN 620 Performance Tutorial 1 (3 credits)

    Offered by: Performance (Schulich School of Music)

    Administered by: Graduate Studies

    Overview

    Practical Instrument : Individual instrumental, vocal, conducting, collaborative piano or operatic tutorial. Technical and interpretive development, preparation of thesis performance projects.

    Terms: Fall 2016, Winter 2017

    Instructors: Mdivani, Marina; Guimond, Claire; Bergeron, Sylvain; Hashimoto, Kyoko; Poletaev, Ilya; Christie, Carolyn; Levesque, Stephane; Zirbel, John; Roy, Andre J; Yazdanfar, Ali; Algie, Stephen; Kolomyjec, Joanne; Popescu, Maria; Beaudry, Pierre; Eriksson, Erik; Hauser, Rudolf-Alexius; Aldrich, Simon; Haimovitz, Matt; Merkelo, Paul A; McMahon, Michael; Kutan, Aline; Fewer, Mark; Swartz, Jennifer; Leclair, Jacqueline; Dolin, Elizabeth; Baskin, Theodore; Box, James; Hutchins, Timothy; Chappell, Eric; Dyachkov, Yegor; Robinson, Brian; Freeman, Peter; Strauss, Axel; Manker, Brian; Plouffe, Helene; Napper, Susan; Weman Eriksson, Lena; Beghin, Tom; Cazes, Alain; Knox, Hank; Richer, Patrice; Johnson, Alexander David; Lemelin, St茅phane; Moye, Felicia; Labelle, Dominique; Purdy, Winston; Devuyst, Russell; Laimon, Sara; Mallette, Marcelle; Dann, Steven Arthur; Normand, Jean-Francois; Stoelzel, Richard; Ducharme, J茅r么me; Wan, Andrew; Kinslow, Valerie; Cope, Todd; Huang, Yai-Yun; Marandola, Fabrice; Vall茅e, Jean-S茅bastien; Desgagne, Alain; Read, Alexander (Fall) Huang, Yai-Yun; Marandola, Fabrice; Christie, Carolyn; Beaudry, Pierre; Mdivani, Marina (Winter)

  • MUIN 621 Performance Tutorial 2 (3 credits)

    Offered by: Performance (Schulich School of Music)

    Administered by: Graduate Studies

    Overview

    Practical Instrument : Additional individual instrumental, vocal, conducting, collaborative piano or operatic tutorial according to area of performing specialization.

    Terms: Fall 2016, Winter 2017

    Instructors: Hashimoto, Kyoko; Chappell, Eric; Roy, Andre J; Strauss, Axel; Kutan, Aline; Kolomyjec, Joanne (Fall) Mdivani, Marina; Guimond, Claire; Bergeron, Sylvain; Hashimoto, Kyoko; Poletaev, Ilya; Forget, Normand; Christie, Carolyn; Levesque, Stephane; Zirbel, John; Roy, Andre J; Yazdanfar, Ali; Algie, Stephen; Kolomyjec, Joanne; Popescu, Maria; Beaudry, Pierre; Eriksson, Erik; Hauser, Rudolf-Alexius; Aldrich, Simon; Haimovitz, Matt; Merkelo, Paul A; McMahon, Michael; Kutan, Aline; Fewer, Mark; Swartz, Jennifer; Leclair, Jacqueline; Dolin, Elizabeth; Baskin, Theodore; Box, James; Hutchins, Timothy; Chappell, Eric; Dyachkov, Yegor; Robinson, Brian; Freeman, Peter; Strauss, Axel; Manker, Brian; Plouffe, Helene; Napper, Susan; Weman Eriksson, Lena; Cazes, Alain; Knox, Hank; Richer, Patrice; Johnson, Alexander David; Lemelin, St茅phane; Labelle, Dominique; Purdy, Winston; Devuyst, Russell; Mallette, Marcelle; Moye, Felicia; Beghin, Tom; Dann, Steven Arthur; Normand, Jean-Francois; Laimon, Sara; Stoelzel, Richard; Ducharme, J茅r么me; Wan, Andrew; Kinslow, Valerie; Cope, Todd; Huang, Yai-Yun; Marandola, Fabrice; Vall茅e, Jean-S茅bastien; Desgagne, Alain; Read, Alexander (Winter)

  • MUIN 622 Performance Tutorial 3 (3 credits) **

    Offered by: Performance (Schulich School of Music)

    Administered by: Graduate Studies

    Overview

    Practical Instrument : Individual tutorial according to area of performing specialization. Interpretative preparation of thesis performance projects and development of individual artistic vision.

    Terms: Fall 2016, Winter 2017

    Instructors: Box, James; Zirbel, John; Guimond, Claire; Bergeron, Sylvain; Plouffe, Helene; Eriksson, Erik; Hashimoto, Kyoko; Mdivani, Marina; Poletaev, Ilya; Popescu, Maria; Kolomyjec, Joanne; Algie, Stephen; Levesque, Stephane; Aldrich, Simon; Christie, Carolyn; Fewer, Mark; Roy, Andre J; Haimovitz, Matt; Yazdanfar, Ali; Merkelo, Paul A; Kestenberg, Abe; Hutchins, Timothy; Leclair, Jacqueline; Robinson, Brian; Baskin, Theodore; Bolduc, Remi; Kutan, Aline; Dyachkov, Yegor; Swartz, Jennifer; Knox, Hank; Napper, Susan; Beghin, Tom; Manker, Brian; Strauss, Axel; Freeman, Peter; Labelle, Dominique; Hauser, Rudolf-Alexius; Cazes, Alain; Dolin, Elizabeth; Johnson, Alexander David; Richer, Patrice; Lemelin, St茅phane; McMahon, Michael; Purdy, Winston; Dann, Steven Arthur; Normand, Jean-Francois; Devuyst, Russell; Moye, Felicia; Ducharme, J茅r么me; Mallette, Marcelle; Huang, Yai-Yun; Marandola, Fabrice; Mac Master, John D; Cope, Todd; Vall茅e, Jean-S茅bastien; Bourgogne, Guillaume (Fall) Hashimoto, Kyoko; Poletaev, Ilya; Hauser, Rudolf-Alexius; Forget, Normand; Roy, Andre J; Huang, Yai-Yun; Marandola, Fabrice; Mdivani, Marina; Merkelo, Paul A; Bolduc, Remi; Chappell, Eric; Strauss, Axel; Kutan, Aline; Kolomyjec, Joanne; Knox, Hank; Christie, Carolyn; Beghin, Tom; Zirbel, John; Johnson, Alexander David; Labelle, Dominique; Algie, Stephen; Mac Master, John D; Cope, Todd; Leclair, Jacqueline; Levesque, Stephane; Vall茅e, Jean-S茅bastien; Bourgogne, Guillaume (Winter)

  • MUIN 622D1 Performance Tutorial 3 (1.5 credits) **

    Offered by: Performance (Schulich School of Music)

    Administered by: Graduate Studies

    Overview

    Practical Instrument : Individual tutorial according to area of performing specialization. Interpretative preparation of thesis performance projects and development of individual artistic vision.

    Terms: Fall 2016

    Instructors: Poletaev, Ilya; Johnson, Alexander David; Zirbel, John; Kolomyjec, Joanne; Labelle, Dominique; Algie, Stephen; Mac Master, John D; Cope, Todd; Leclair, Jacqueline; Levesque, Stephane; Huang, Yai-Yun; Marandola, Fabrice; Vall茅e, Jean-S茅bastien; Hauser, Rudolf-Alexius; Bourgogne, Guillaume (Fall)

  • MUIN 622D2 Performance Tutorial 3 (1.5 credits) **

    Offered by: Performance (Schulich School of Music)

    Administered by: Graduate Studies

    Overview

    Practical Instrument : Individual tutorial according to area of performing specialization. Interpretative preparation of thesis performance projects and development of individual artistic vision.

    Terms: Winter 2017

    Instructors: Poletaev, Ilya; Johnson, Alexander David; Zirbel, John; Kolomyjec, Joanne; Labelle, Dominique; Algie, Stephen; Mac Master, John D; Cope, Todd; Leclair, Jacqueline; Levesque, Stephane; Huang, Yai-Yun; Marandola, Fabrice; Vall茅e, Jean-S茅bastien; Bourgogne, Guillaume; Hauser, Rudolf-Alexius (Winter)

  • MUPG 600 Recital Project 1 (9 credits) *

    Offered by: Performance (Schulich School of Music)

    Administered by: Graduate Studies

    Overview

    Performance : Solo recital, collaborative piano recital, conducting recital or principal Opera Role (by audition) with program notes.

    Terms: Fall 2016, Winter 2017, Summer 2017

    Instructors: There are no professors associated with this course for the 2016-2017 academic year.

    • Solo recital (60-70 minutes), collaborative piano recital (60-70 minutes), conducting recital (30-40 minutes) or Principal Opera Role as defined by the American Guild of Musical Artists' website (), Lead, Schedule C

* Solo Recital only
** Student may take either MUIN 622 or MUIN 622D1 and MUIN 622D2.

9 credits from:

  • MUPG 601 Recital Project 2 (9 credits)

    Offered by: Performance (Schulich School of Music)

    Administered by: Graduate Studies

    Overview

    Performance : Solo recital, collaborative piano recital, conducting recital or principal opera role (by audition) with program notes. May include chamber music providing none of the repertoire was prepared in a chamber ensemble taken for credit.

    Terms: Fall 2016, Winter 2017

    Instructors: There are no professors associated with this course for the 2016-2017 academic year.

    • Solo recital (60-70 minutes), collaborative piano recital (60-70 minutes), conducting recital (30-40 minutes) or principal opera role (by audition) as defined by the American Guild of Musical Artists' website (), Lead, Schedule C

  • MUPG 602 Recital Project 3 (6 credits)

    Offered by: Performance (Schulich School of Music)

    Administered by: Graduate Studies

    Overview

    Performance : Recital, conducting recital or featured opera role (by audition) with program notes.

    Terms: Fall 2016, Winter 2017, Summer 2017

    Instructors: There are no professors associated with this course for the 2016-2017 academic year.

    • Recital (30-40 minutes), conducting recital (20-30 minutes) or featured opera role (by audition) as defined by the American Guild of Musical Artists' website (), Featured, Schedule C

  • MUPG 603 Recital Project 4 (3 credits)

    Offered by: Performance (Schulich School of Music)

    Administered by: Graduate Studies

    Overview

    Performance : Concerto performance with orchestra (for the concerto competition or other competition in Montreal) or supporting opera role (by audition) with program notes.

    Terms: Fall 2016, Winter 2017

    Instructors: There are no professors associated with this course for the 2016-2017 academic year.

    • Supporting Opera Role as defined by the American Musical Artists' website (), Supporting, Schedule C

  • MUPG 604 Chamber Music Recital (6 credits)

    Offered by: Performance (Schulich School of Music)

    Administered by: Graduate Studies

    Overview

    Performance : Chamber Music Recital with program notes. Repertoire may not include works performed in MUEN courses. Various instrumentations permitted as long as student performs in all works.

    Terms: Fall 2016, Winter 2017

    Instructors: There are no professors associated with this course for the 2016-2017 academic year.

    • Chamber Music Recital (60-70 minutes). If single ensemble, recital may be taken for credit by all participating students, by approval of department.

  • MUPG 605 Recording Project (3 credits)

    Offered by: Performance (Schulich School of Music)

    Administered by: Graduate Studies

    Overview

    Performance : Recording project with liner notes.

    Terms: Fall 2016, Winter 2017

    Instructors: There are no professors associated with this course for the 2016-2017 academic year.

    • Limited enrolment; admissions by proposal only and with approval of the Department; additional fees apply.

  • MUPG 606 Interdisciplinary Project 1 (3 credits) **

    Offered by: Performance (Schulich School of Music)

    Administered by: Graduate Studies

    Overview

    Performance : Research-creation involving collaboration between different disciplines resulting in a new work, interpretation or contribution to knowledge presented in public (i.e., performer-composer commission; performer and actor/dancer collaboration, subject in CIRMMT research study, etc) with program notes as relevant.

    Terms: Winter 2017

    Instructors: There are no professors associated with this course for the 2016-2017 academic year.

    • Performer-composer composition of 5-10 minutes. By proposal only and with approval of the Department.

  • MUPG 607 Interdisciplinary Project 2 (6 credits) **

    Offered by: Performance (Schulich School of Music)

    Administered by: Graduate Studies

    Overview

    Performance : Research-creation involving collaboration between different disciplines resulting in a new work, interpretation or contribution to knowledge presented in public (i.e., performer-composer commission); performance and actor/dancer collaboration, participant as co-researcher in CIRMMT study including participation in analysis of data, etc.) with program notes as relevant.

    Terms: Fall 2016, Winter 2017

    Instructors: Bourgogne, Guillaume (Winter)

    • Performer-composer commission of 10-20 minutes. By proposal only and approval of the Department.

  • MUPG 614 Quick Study (3 credits) *

    Offered by: Performance (Schulich School of Music)

    Administered by: Graduate Studies

    Overview

    Performance : Preparation and performance of short program of vocal, operatic, or collaborative piano repertoire in a limited three week time frame.

    Terms: Fall 2016, Winter 2017

    Instructors: There are no professors associated with this course for the 2016-2017 academic year.

    • 20-25 minutes of repertoire

* Voice Only
** Students may take either MUPG 606 or MUGP 607

Required Course

  • MUGS 605 Graduate Performance Colloquium

    Offered by: Performance (Schulich School of Music)

    Administered by: Graduate Studies

    Overview

    Graduate Faculty Music Courses : Participation in three professional development workshops or research colloquium approved by the department on topics such as performance pedagogy, academic teaching, music production, copyright, business, grantsmanship, etc. Students participate in each semester of residency until requirements have been met.

    Terms: Fall 2016, Winter 2017

    Instructors: There are no professors associated with this course for the 2016-2017 academic year.

Complementary Seminars (9 credits)

3 credits from the following:

One approved graduate 3-credit seminar with the prefix MUCO, MUGS, MUGT, MUHL, MUMT, MUPP, or MUTH.

3 credits from the following:

  • MUHL 591D1 Paleography (1.5 credits)

    Offered by: Music Research (Schulich School of Music)

    Overview

    Music History and Literature : The theory and practice of musical transcription for the period 1100 to 1600. Black modal notation, Franconian notation, French and Italian Ars Nova notation, Mannerism, white mensural notation, proportions, and lute and keyboard tablatures will be studied.

    Terms: Fall 2016

    Instructors: Cumming, Julie Emelyn (Fall)

  • MUHL 591D2 Paleography (1.5 credits)

    Offered by: Music Research (Schulich School of Music)

    Overview

    Music History and Literature : See MUHL 591D1 for course description.

    Terms: Winter 2017

    Instructors: Cumming, Julie Emelyn (Winter)

    • Prerequisite: MUHL 591D1

    • No credit will be given for this course unless both MUHL 591D1 and MUHL 591D2 are successfully completed in consecutive terms

  • MUPG 575D1 Liturgical Organ Playing (1.5 credits) **

    Offered by: Performance (Schulich School of Music)

    Overview

    Performance : This seminar focuses on the development of skill in the leadership and accompaniment of hymns, the accompaniment of sung psalmody (particularly Anglican and Gregorian), and the conducting of choral music while accompanying at the organ. Additionally, regular instruction in techniques of improvisation will focus in particular upon hymn introductions and free accompaniments.

    Terms: Fall 2016

    Instructors: Oldengarm, Jonathan (Fall)

    • 1. 1 1/2 hours

    • 2. Students must register for both MUPG 575D1 and MUPG 575D2.

    • 3. No credit will be given for this course unless both MUPG 575D1 and MUPG 575D2 are successfully completed in consecutive terms.

  • MUPG 575D2 Liturgical Organ Playing (1.5 credits) **

    Offered by: Performance (Schulich School of Music)

    Overview

    Performance : This seminar focuses on the development of skill in the leadership and accompaniment of hymns, the accompaniment of sung psalmody (particularly Anglican and Gregorian), and the conducting of choral music while accompanying at the organ. Additionally, regular instruction in techniques of improvisation will focus in particular upon hymn introductions and free accompaniments.

    Terms: Winter 2017

    Instructors: Oldengarm, Jonathan (Winter)

  • MUPG 590 Vocal Styles and Conventions (3 credits) *

    Offered by: Performance (Schulich School of Music)

    Overview

    Performance : Emphasis on vocal performance practices through practical application: text, language, inflection, pronunciation and interpretation considered with individuality of each student's voice and technical development. After examining historical treatises, students will discuss and present musical selections utilizing modern performance standards yet remaining true to stylistic demands of each period.

    Terms: Fall 2016

    Instructors: Strauss, Anja (Fall)

    • 3 hours

    • Restriction: Not open to students who have taken MUPG 690.

  • MUPG 691 Vocal Ornamentation (3 credits)

    Offered by: Performance (Schulich School of Music)

    Administered by: Graduate Studies

    Overview

    Performance : Introduction to the major treatises with emphasis on their practical application to modern performance. Through the study and discussion of both primary and secondary sources, students will observe and compare national styles. Special topics include the conventions of recitative; text-driven embellishment; ornamentation in Handel's dramatic works.

    Terms: Winter 2017

    Instructors: Kinslow, Valerie (Winter)

    • 3 hours

    • Restriction: Open to singers, keyboardists, and conductors or with permission of the instructor

  • MUTH 602 Keyboard Modal Counterpoint (3 credits)

    Offered by: Music Research (Schulich School of Music)

    Administered by: Graduate Studies

    Overview

    Music Theory and Analysis : Advanced study of polyphonic techniques of the renaissance period through written exercises, in-depth written case study, and improvised practice at the keyboard.

    Terms: This course is not scheduled for the 2016-2017 academic year.

    Instructors: There are no professors associated with this course for the 2016-2017 academic year.

    • Prerequisite: MUTH 202 or equivalent

    • Restrictions: Open to graduate keyboardists in early music and organ or permission of the instructor. This course may count only as the additional seminar and not as the approved graduate seminar with the prefix MUCO, MUGS, MUGT, MUHL, MUMT, MUPP, MUTH.

or one graduate 3-credit seminar approved by the Department.

* If not already taken
** May be repeated once

Complementary Performance (9 credits)

Instruments:
3 terms of:

  • MUEN 580 Early Music Ensemble (1 credit)

    Offered by: Performance (Schulich School of Music)

    Overview

    Ensemble : An ensemble of 4-6 vocalists and instrumentalists which performs music of the Medieval, Renaissance and Baroque periods.

    Terms: Fall 2016, Winter 2017

    Instructors: MacMillan, Elizabeth H; Kinslow, Valerie; Weman Eriksson, Lena; Jennejohn, Matthew Dixon; Smith, Tracy; Plouffe, Helene (Fall) MacMillan, Elizabeth H; Kinslow, Valerie; Plouffe, Helene; Weman Eriksson, Lena; Smith, Tracy; Jennejohn, Matthew Dixon; Basque, Alexis (Winter)

    • Prerequisite: Audition. Prerequisite or corequisite for keyboard players: MUPG 272.

6 credits from (may be taken more than once):

  • MUEN 572 Cappella Antica (2 credits)

    Offered by: Performance (Schulich School of Music)

    Overview

    Ensemble : An ensemble of 8 to 12 voices specializing in early music. N.B. This ensemble may substitute as a Basic Ensemble in programs that specify Choral Ensemble, with Departmental approval.

    Terms: Fall 2016, Winter 2017

    Instructors: Kinslow, Valerie (Fall) Kinslow, Valerie (Winter)

    • 4 hours

    • Prerequisite: Audition.

  • MUEN 573 Baroque Orchestra (2 credits)

    Offered by: Performance (Schulich School of Music)

    Overview

    Ensemble : Open to singers and instrumentalists, this ensemble specializes in chamber music primarily of the Baroque era.

    Terms: Fall 2016, Winter 2017

    Instructors: Knox, Hank (Fall) Knox, Hank (Winter)

    • 4 hours

    • Prerequisites: Audition AND MUEN 480 AND a prerequisite or corequisite of MUPP 381. Additional prerequisite for keyboard players: MUPG 372 with a grade of A-.

OR

Voice:
2 credits of:

  • MUEN 580 Early Music Ensemble (1 credit)

    Offered by: Performance (Schulich School of Music)

    Overview

    Ensemble : An ensemble of 4-6 vocalists and instrumentalists which performs music of the Medieval, Renaissance and Baroque periods.

    Terms: Fall 2016, Winter 2017

    Instructors: MacMillan, Elizabeth H; Kinslow, Valerie; Weman Eriksson, Lena; Jennejohn, Matthew Dixon; Smith, Tracy; Plouffe, Helene (Fall) MacMillan, Elizabeth H; Kinslow, Valerie; Plouffe, Helene; Weman Eriksson, Lena; Smith, Tracy; Jennejohn, Matthew Dixon; Basque, Alexis (Winter)

    • Prerequisite: Audition. Prerequisite or corequisite for keyboard players: MUPG 272.

3 credits:

  • MUIN 610 Vocal Coaching 1 (1 credit)

    Offered by: Performance (Schulich School of Music)

    Administered by: Graduate Studies

    Overview

    Practical Instrument : Individual coaching sessions on advanced vocal repertoire with emphasis on musical and linguistic nuance.

    Terms: Fall 2016, Winter 2017

    Instructors: McMahon, Michael; Hansen, Patrick; Gonthier, Esther; Kinslow, Valerie; Godin, Olivier; Hargreaves, Stephen (Fall) McMahon, Michael; Godin, Olivier; Gonthier, Esther; Kinslow, Valerie (Winter)

    • Restriction: Not open to students who have taken MUIN 600

  • MUIN 611 Vocal Coaching 2 (1 credit)

    Offered by: Performance (Schulich School of Music)

    Administered by: Graduate Studies

    Overview

    Practical Instrument : Continuation of Vocal Coaching I with emphasis on musical and linguistic nuance.

    Terms: Fall 2016, Winter 2017

    Instructors: McMahon, Michael; Gonthier, Esther; Kinslow, Valerie; Hargreaves, Stephen (Fall) McMahon, Michael; Gonthier, Esther; Kinslow, Valerie; Godin, Olivier; Hargreaves, Stephen (Winter)

    • Restriction: Not open to students who have taken MUIN 601

  • MUIN 612 Vocal Coaching 3 (1 credit)

    Offered by: Performance (Schulich School of Music)

    Administered by: Graduate Studies

    Overview

    Practical Instrument : Coaching sessions on advanced vocal repertoire with emphasis on musical nuance and the expression of an individual artistic voice.

    Terms: Fall 2016, Winter 2017

    Instructors: McMahon, Michael; Kutan, Aline; Hansen, Patrick; Gonthier, Esther; Godin, Olivier; Hargreaves, Stephen (Fall) Gonthier, Esther; Kutan, Aline; McMahon, Michael; Kinslow, Valerie; Hargreaves, Stephen (Winter)

    • Restriction: Not open to students who have taken MUIN 602

4 credits from (may be taken more than once):

  • MUEN 572 Cappella Antica (2 credits)

    Offered by: Performance (Schulich School of Music)

    Overview

    Ensemble : An ensemble of 8 to 12 voices specializing in early music. N.B. This ensemble may substitute as a Basic Ensemble in programs that specify Choral Ensemble, with Departmental approval.

    Terms: Fall 2016, Winter 2017

    Instructors: Kinslow, Valerie (Fall) Kinslow, Valerie (Winter)

    • 4 hours

    • Prerequisite: Audition.

  • MUEN 579 Song Interpretation 2 (1 credit)

    Offered by: Performance (Schulich School of Music)

    Overview

    Ensemble : Study of song repertoire for singers and pianists.

    Terms: Fall 2016, Winter 2017

    Instructors: McMahon, Michael (Fall) McMahon, Michael (Winter)

  • MUEN 580 Early Music Ensemble (1 credit)

    Offered by: Performance (Schulich School of Music)

    Overview

    Ensemble : An ensemble of 4-6 vocalists and instrumentalists which performs music of the Medieval, Renaissance and Baroque periods.

    Terms: Fall 2016, Winter 2017

    Instructors: MacMillan, Elizabeth H; Kinslow, Valerie; Weman Eriksson, Lena; Jennejohn, Matthew Dixon; Smith, Tracy; Plouffe, Helene (Fall) MacMillan, Elizabeth H; Kinslow, Valerie; Plouffe, Helene; Weman Eriksson, Lena; Smith, Tracy; Jennejohn, Matthew Dixon; Basque, Alexis (Winter)

    • Prerequisite: Audition. Prerequisite or corequisite for keyboard players: MUPG 272.

  • MUEN 696 Opera Theatre (2 credits)

    Offered by: Performance (Schulich School of Music)

    Administered by: Graduate Studies

    Overview

    Ensemble : Individual coaching in acting, movement and role preparation; possibility for roles in Opera 捆绑SM社区 productions (by audition).

    Terms: Fall 2016, Winter 2017

    Instructors: Hansen, Patrick (Fall) Hansen, Patrick (Winter)

    • 3 - 6 hours

    • Prerequisite: open to all Graduate Performance and Artist Diploma students who have completed MUEN 496 or its equivalent.

Schulich School of Music—2016-2017 (last updated Dec. 12, 2016) (disclaimer)
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