Program Requirements
Additional prerequisite courses may be assigned to candidates in Composition, Music Education, Music Theory, Music Technology, and Musicology following transcript review and/or placement exams.
Research Project (24 credits)
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MUGS 614 Reading Course 1 (3 credits)
Overview
Graduate Faculty Music Courses : Independent study of an approved topic or topics under the guidance of a supervisor. Topics will be chosen to suit individual needs and interests. The extent of reading, synthesis, and reporting will be agreed upon by the supervisor and the student at the beginning of the course.
Terms: Fall 2015, Winter 2016
Instructors: There are no professors associated with this course for the 2015-2016 academic year.
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MUGS 615 Reading Course 2 (3 credits)
Overview
Graduate Faculty Music Courses : Independent study of an approved topic or topics under the guidance of a supervisor. Topics will be chosen to suit individual needs and interests. The extent of reading, synthesis, and reporting will be agreed upon by the supervisor and the student at the beginning of the course.
Terms: Fall 2015, Winter 2016
Instructors: There are no professors associated with this course for the 2015-2016 academic year.
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MUGS 635 Research Paper 1 (9 credits)
Overview
Graduate Faculty Music Courses : The writing of the first research paper.
Terms: Fall 2015, Winter 2016
Instructors: There are no professors associated with this course for the 2015-2016 academic year.
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MUGS 636 Research Paper 2 (9 credits)
Overview
Graduate Faculty Music Courses : The writing of the second research paper.
Terms: Fall 2015, Winter 2016
Instructors: There are no professors associated with this course for the 2015-2016 academic year.
Required Courses (21 credits)
Seven 3-credit courses at the 500, 600, or 700 level approved by the Musicology Area, four of which must be in the Musicology Area.
One of the courses must be:
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MUHL 529 Proseminar in Musicology (3 credits)
Overview
Music History and Literature : Study of selected methodologies in musicology through critical examination of significant texts. Topics may include approaches to historiography, biography, editing and source studies, as well as aesthetics, literary criticism, semiology, feminist musicology, and ideology critique. Works by Adler, Adorno, Dahlhaus, Kerman, McClary, Meyer, Nattiez, and Subotnik, among others, will be addressed.
Terms: Fall 2015
Instructors: Huebner, Steven (Fall)
3 hours
Prerequisites: MUHL 184 and MUHL 185 and MUTH 211 OR MUCO 240D1/D2 and MUSP 231 OR MUHL 286 and MUTH 250 and MUSP 241
Restriction: open to all students in a Major or Honours program in Music History, and to students in other programs by permission of instructor
Normally alternates with MUHL 591